As a choirmaster in 1870s Salzburg, Innocenz Achleitner often saw sheet music treated in a less-than-reverent manner. It might be scattered across a composer’s desk, crammed into vocalists’ folios, or even marred with personal notes about bowings or breath mark...

As a choirmaster in 1870s Salzburg, Innocenz Achleitner often saw sheet music treated in a less-than-reverent manner. It might be scattered across a composer’s desk, crammed into vocalists’ folios, or even marred with personal notes about bowings or breath marks. Never before, however, had he seen it wrapped around vegetables.



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