1589, Feb 51670, Jan 21
a French aristocrat, soldier, poet, dramatist and (original) member of the Académie française. Around 1619, Racan's pastoral play in verse Les Bergeries (originally entitled Arthénice) - inspired by Virgil, Tasso's Aminta, Giambattista Guarini's Il pastor fido, Honoré d'Urfé's L'Astrée, and, to a certain extent, the writings of Saint François de Sales - was performed to great acclaim. Racan's poetry was rigorous (he reworked his poems throughout his life and his works were often published with last minute errata), but he did not completely reject the authors of Renaissance (unlike Malherbe, Racan appreciated Pierre de Ronsard and Michel de Montaigne) and was less inflexible on the question of the three unities. His elegies and pastoral show a sensitivity to the natural sights of his native region, and his poetry is often informed by a melancholy inspired by his youthful disappointments in love and the financial and personal tragedies of his life.
 Gallery (1)

Colonial Sense is an advocate for global consumer privacy rights, protection and security.
All material on this website © copyright 2009-20 by Colonial Sense, except where otherwise indicated.